Dye Migration #229 // Reed Ghazala
$525.00
Reed Ghazala's Dye Migration #229
24x24" gloss laminated archival inkjet on Sintra, black aluminum gallery frame. From the Dye Migration series (c.1970's), signed and dated on back. Photo shows the original polaroid encased in Lucite- call for information and availability 281.373.0664.
Old school photography in a whole new light-
If you've ever said digital photography can do everything film can, Qubais Reed Ghazala invites you to a enjoy a delicious dinner of your own words. Ghazala will literally manipulate an image between the lens and the subject or the camera and the film to concoct otherworldly aleatoric images that occurred under conditions that could not be repeated in a billion years. Besides time-exposure and pyrotechnic lighting, the artist will modify his lenses and cameras, or employ camera-free techniques where dye migration materials are hand-manipulated in the dark.
These are just a few of the experimental methods Ghazala uses that changed the way we viewed photography and reminds us that there is always more to know than we thought there was.
-Ray Cabarga
https://www.thedice.co/Art/QUBAIS-REED-GHAZALA/
24x24" gloss laminated archival inkjet on Sintra, black aluminum gallery frame. From the Dye Migration series (c.1970's), signed and dated on back. Photo shows the original polaroid encased in Lucite- call for information and availability 281.373.0664.
Old school photography in a whole new light-
If you've ever said digital photography can do everything film can, Qubais Reed Ghazala invites you to a enjoy a delicious dinner of your own words. Ghazala will literally manipulate an image between the lens and the subject or the camera and the film to concoct otherworldly aleatoric images that occurred under conditions that could not be repeated in a billion years. Besides time-exposure and pyrotechnic lighting, the artist will modify his lenses and cameras, or employ camera-free techniques where dye migration materials are hand-manipulated in the dark.
These are just a few of the experimental methods Ghazala uses that changed the way we viewed photography and reminds us that there is always more to know than we thought there was.
-Ray Cabarga
https://www.thedice.co/Art/QUBAIS-REED-GHAZALA/
Reed Ghazala's Dye Migration #229
24x24" gloss laminated archival inkjet on Sintra, black aluminum gallery frame. From the Dye Migration series (c.1970's), signed and dated on back. Photo shows the original polaroid encased in Lucite- call for information and availability 281.373.0664.
Old school photography in a whole new light-
If you've ever said digital photography can do everything film can, Qubais Reed Ghazala invites you to a enjoy a delicious dinner of your own words. Ghazala will literally manipulate an image between the lens and the subject or the camera and the film to concoct otherworldly aleatoric images that occurred under conditions that could not be repeated in a billion years. Besides time-exposure and pyrotechnic lighting, the artist will modify his lenses and cameras, or employ camera-free techniques where dye migration materials are hand-manipulated in the dark.
These are just a few of the experimental methods Ghazala uses that changed the way we viewed photography and reminds us that there is always more to know than we thought there was.
-Ray Cabarga
https://www.thedice.co/Art/QUBAIS-REED-GHAZALA/
24x24" gloss laminated archival inkjet on Sintra, black aluminum gallery frame. From the Dye Migration series (c.1970's), signed and dated on back. Photo shows the original polaroid encased in Lucite- call for information and availability 281.373.0664.
Old school photography in a whole new light-
If you've ever said digital photography can do everything film can, Qubais Reed Ghazala invites you to a enjoy a delicious dinner of your own words. Ghazala will literally manipulate an image between the lens and the subject or the camera and the film to concoct otherworldly aleatoric images that occurred under conditions that could not be repeated in a billion years. Besides time-exposure and pyrotechnic lighting, the artist will modify his lenses and cameras, or employ camera-free techniques where dye migration materials are hand-manipulated in the dark.
These are just a few of the experimental methods Ghazala uses that changed the way we viewed photography and reminds us that there is always more to know than we thought there was.
-Ray Cabarga
https://www.thedice.co/Art/QUBAIS-REED-GHAZALA/
Reed Ghazala's Dye Migration #229
24x24" gloss laminated archival inkjet on Sintra, black aluminum gallery frame. From the Dye Migration series (c.1970's), signed and dated on back. Photo shows the original polaroid encased in Lucite- call for information and availability 281.373.0664.
Old school photography in a whole new light-
If you've ever said digital photography can do everything film can, Qubais Reed Ghazala invites you to a enjoy a delicious dinner of your own words. Ghazala will literally manipulate an image between the lens and the subject or the camera and the film to concoct otherworldly aleatoric images that occurred under conditions that could not be repeated in a billion years. Besides time-exposure and pyrotechnic lighting, the artist will modify his lenses and cameras, or employ camera-free techniques where dye migration materials are hand-manipulated in the dark.
These are just a few of the experimental methods Ghazala uses that changed the way we viewed photography and reminds us that there is always more to know than we thought there was.
-Ray Cabarga
https://www.thedice.co/Art/QUBAIS-REED-GHAZALA/
24x24" gloss laminated archival inkjet on Sintra, black aluminum gallery frame. From the Dye Migration series (c.1970's), signed and dated on back. Photo shows the original polaroid encased in Lucite- call for information and availability 281.373.0664.
Old school photography in a whole new light-
If you've ever said digital photography can do everything film can, Qubais Reed Ghazala invites you to a enjoy a delicious dinner of your own words. Ghazala will literally manipulate an image between the lens and the subject or the camera and the film to concoct otherworldly aleatoric images that occurred under conditions that could not be repeated in a billion years. Besides time-exposure and pyrotechnic lighting, the artist will modify his lenses and cameras, or employ camera-free techniques where dye migration materials are hand-manipulated in the dark.
These are just a few of the experimental methods Ghazala uses that changed the way we viewed photography and reminds us that there is always more to know than we thought there was.
-Ray Cabarga
https://www.thedice.co/Art/QUBAIS-REED-GHAZALA/