Guardians East // Veron Ennis
$4,500.00
Guardians East // Veron Ennis Artist Studio
11 x 11 x 11" (Closed), 28 x 21" (Open), Acrylic, Paper, Wood, 2018
"(Ennis's) sculptures are comprised of six paintings on wood panels hinged together to form a cube, which can balance on any of its corners, edges or planes. When unlatched, the structure unfolds to be exhibited on a wall with any orientation." -The Baker Museum
A partnership with paint-
Veron Ennis has a respect for her paint that carries equal weight to her plans for it. There appears, in her work, to be a dialogue between artist and medium throughout the painting process in which each has a say. The colors may impose their will over the artists emotional decisions, and the artist may leap-frog that will and in turn inspire her pigmented partner to guide them, in tandem, elsewhere still. But it’s the initial respect that gives her work that joyous edge one finds in any dynamic partnership. The rewards of which are reaped by the viewer who appreciates the beautiful balance found in cooperative chaos born of symbiotic synergy. -Ray Cabarga
"The aesthetics of my work are greatly influenced by the modern art era, particularly the evolution of abstract expressionism to minimalism. The paring down of elements in a composition in order to deliver an ineffable idea. Major artists of influence throughout my lifetime include Agnes Martin, Louise Nevelson, Robert Motherwell, Helen Frankenthaler, Barnett Newman, and Corita Kent. For all of the splendor that art has brought to the brethren of this world, I am in awe, and humbly and overwhelmingly honored to be even the tiniest part of its purpose." -Veron Ennis
https://www.thedice.co/Art/VERON-ENNIS/
11 x 11 x 11" (Closed), 28 x 21" (Open), Acrylic, Paper, Wood, 2018
"(Ennis's) sculptures are comprised of six paintings on wood panels hinged together to form a cube, which can balance on any of its corners, edges or planes. When unlatched, the structure unfolds to be exhibited on a wall with any orientation." -The Baker Museum
A partnership with paint-
Veron Ennis has a respect for her paint that carries equal weight to her plans for it. There appears, in her work, to be a dialogue between artist and medium throughout the painting process in which each has a say. The colors may impose their will over the artists emotional decisions, and the artist may leap-frog that will and in turn inspire her pigmented partner to guide them, in tandem, elsewhere still. But it’s the initial respect that gives her work that joyous edge one finds in any dynamic partnership. The rewards of which are reaped by the viewer who appreciates the beautiful balance found in cooperative chaos born of symbiotic synergy. -Ray Cabarga
"The aesthetics of my work are greatly influenced by the modern art era, particularly the evolution of abstract expressionism to minimalism. The paring down of elements in a composition in order to deliver an ineffable idea. Major artists of influence throughout my lifetime include Agnes Martin, Louise Nevelson, Robert Motherwell, Helen Frankenthaler, Barnett Newman, and Corita Kent. For all of the splendor that art has brought to the brethren of this world, I am in awe, and humbly and overwhelmingly honored to be even the tiniest part of its purpose." -Veron Ennis
https://www.thedice.co/Art/VERON-ENNIS/
Guardians East // Veron Ennis Artist Studio
11 x 11 x 11" (Closed), 28 x 21" (Open), Acrylic, Paper, Wood, 2018
"(Ennis's) sculptures are comprised of six paintings on wood panels hinged together to form a cube, which can balance on any of its corners, edges or planes. When unlatched, the structure unfolds to be exhibited on a wall with any orientation." -The Baker Museum
A partnership with paint-
Veron Ennis has a respect for her paint that carries equal weight to her plans for it. There appears, in her work, to be a dialogue between artist and medium throughout the painting process in which each has a say. The colors may impose their will over the artists emotional decisions, and the artist may leap-frog that will and in turn inspire her pigmented partner to guide them, in tandem, elsewhere still. But it’s the initial respect that gives her work that joyous edge one finds in any dynamic partnership. The rewards of which are reaped by the viewer who appreciates the beautiful balance found in cooperative chaos born of symbiotic synergy. -Ray Cabarga
"The aesthetics of my work are greatly influenced by the modern art era, particularly the evolution of abstract expressionism to minimalism. The paring down of elements in a composition in order to deliver an ineffable idea. Major artists of influence throughout my lifetime include Agnes Martin, Louise Nevelson, Robert Motherwell, Helen Frankenthaler, Barnett Newman, and Corita Kent. For all of the splendor that art has brought to the brethren of this world, I am in awe, and humbly and overwhelmingly honored to be even the tiniest part of its purpose." -Veron Ennis
https://www.thedice.co/Art/VERON-ENNIS/
11 x 11 x 11" (Closed), 28 x 21" (Open), Acrylic, Paper, Wood, 2018
"(Ennis's) sculptures are comprised of six paintings on wood panels hinged together to form a cube, which can balance on any of its corners, edges or planes. When unlatched, the structure unfolds to be exhibited on a wall with any orientation." -The Baker Museum
A partnership with paint-
Veron Ennis has a respect for her paint that carries equal weight to her plans for it. There appears, in her work, to be a dialogue between artist and medium throughout the painting process in which each has a say. The colors may impose their will over the artists emotional decisions, and the artist may leap-frog that will and in turn inspire her pigmented partner to guide them, in tandem, elsewhere still. But it’s the initial respect that gives her work that joyous edge one finds in any dynamic partnership. The rewards of which are reaped by the viewer who appreciates the beautiful balance found in cooperative chaos born of symbiotic synergy. -Ray Cabarga
"The aesthetics of my work are greatly influenced by the modern art era, particularly the evolution of abstract expressionism to minimalism. The paring down of elements in a composition in order to deliver an ineffable idea. Major artists of influence throughout my lifetime include Agnes Martin, Louise Nevelson, Robert Motherwell, Helen Frankenthaler, Barnett Newman, and Corita Kent. For all of the splendor that art has brought to the brethren of this world, I am in awe, and humbly and overwhelmingly honored to be even the tiniest part of its purpose." -Veron Ennis
https://www.thedice.co/Art/VERON-ENNIS/
Guardians East // Veron Ennis Artist Studio
11 x 11 x 11" (Closed), 28 x 21" (Open), Acrylic, Paper, Wood, 2018
"(Ennis's) sculptures are comprised of six paintings on wood panels hinged together to form a cube, which can balance on any of its corners, edges or planes. When unlatched, the structure unfolds to be exhibited on a wall with any orientation." -The Baker Museum
A partnership with paint-
Veron Ennis has a respect for her paint that carries equal weight to her plans for it. There appears, in her work, to be a dialogue between artist and medium throughout the painting process in which each has a say. The colors may impose their will over the artists emotional decisions, and the artist may leap-frog that will and in turn inspire her pigmented partner to guide them, in tandem, elsewhere still. But it’s the initial respect that gives her work that joyous edge one finds in any dynamic partnership. The rewards of which are reaped by the viewer who appreciates the beautiful balance found in cooperative chaos born of symbiotic synergy. -Ray Cabarga
"The aesthetics of my work are greatly influenced by the modern art era, particularly the evolution of abstract expressionism to minimalism. The paring down of elements in a composition in order to deliver an ineffable idea. Major artists of influence throughout my lifetime include Agnes Martin, Louise Nevelson, Robert Motherwell, Helen Frankenthaler, Barnett Newman, and Corita Kent. For all of the splendor that art has brought to the brethren of this world, I am in awe, and humbly and overwhelmingly honored to be even the tiniest part of its purpose." -Veron Ennis
https://www.thedice.co/Art/VERON-ENNIS/
11 x 11 x 11" (Closed), 28 x 21" (Open), Acrylic, Paper, Wood, 2018
"(Ennis's) sculptures are comprised of six paintings on wood panels hinged together to form a cube, which can balance on any of its corners, edges or planes. When unlatched, the structure unfolds to be exhibited on a wall with any orientation." -The Baker Museum
A partnership with paint-
Veron Ennis has a respect for her paint that carries equal weight to her plans for it. There appears, in her work, to be a dialogue between artist and medium throughout the painting process in which each has a say. The colors may impose their will over the artists emotional decisions, and the artist may leap-frog that will and in turn inspire her pigmented partner to guide them, in tandem, elsewhere still. But it’s the initial respect that gives her work that joyous edge one finds in any dynamic partnership. The rewards of which are reaped by the viewer who appreciates the beautiful balance found in cooperative chaos born of symbiotic synergy. -Ray Cabarga
"The aesthetics of my work are greatly influenced by the modern art era, particularly the evolution of abstract expressionism to minimalism. The paring down of elements in a composition in order to deliver an ineffable idea. Major artists of influence throughout my lifetime include Agnes Martin, Louise Nevelson, Robert Motherwell, Helen Frankenthaler, Barnett Newman, and Corita Kent. For all of the splendor that art has brought to the brethren of this world, I am in awe, and humbly and overwhelmingly honored to be even the tiniest part of its purpose." -Veron Ennis
https://www.thedice.co/Art/VERON-ENNIS/